The Cloud Collection perfumes are lava lamp groovy, with separate liquids rolling around in the bottle. One is advised to shake it for four seconds (shaking a lava lamp is not suggested, though the result is the same) until it turns cloudy, before spraying.
Spicy-tart sea buckthorn at the opening, and leather, then thirty minutes later the berries turn sweet and creamy, with a smooth oud-y base.
The fruit lasts on the skin for three hours–about the time it takes for the perfume salad dressing to separate again–but the sweet woods project much longer and louder, and linger on clothes all day.
The scent lives up to the novelty of the liquid. The seaberry (which I love in tea and candy) is unusual, a berry version of the lemon custard in Aqua Allegoria Teazzarro; and the base is rich as any Fort & Manlé, with twice the longevity.
I’ll wear this one a lot this fall.
Farveblind is is also weird and fun and Danish (like Zarkoperfume).
It’s blue! And weird and wet and marvelous.
Marine water and smoke out of the vial that darkens down to black fountain pen ink, dirtying up sea foam.
Algae blooms, delicate green, strangely organic and chemical at the same time, with big juicy sillage.
The ambergris rises to the surface an hour later, making it even wetter with ocean spray; benzoin sweetens it, turning it fresh again.
Six hours later and it’s still there, chaotic, never seeming to settle down to one depth; yet it’s oddly comforting and beautiful.
Gov’t Mule does a terrific jam cover of Jimi Hendrix’s 1983 (A Merman I Shall Be)–from Electric Ladyland–that goes deep under water around the 4:15 mark.
If dolls could fart marshmallows, they’d smell like this.
A loud pbthpbthpbth of sweet plastic esthers–almost an artificial banana–then greasy coconut oil that dries down to diaper powder and decomposing Barbies left in the sun.
Weirdly sticky (and very synthetic for a LUSH scent) and lasts forever.
Who’da thunk Aqua’s bizarre hit could be turned this haunting and pretty?!