Sharp green citrus that fades quickly to ginger and mushy orange flower. Doesn’t project well, but lasts on the skin three hours.
I get none of the advertised amber or bourbon, sadly.
It’s okay, but not very interesting.
I like the Arctic Monkeys. This song is a bit mushy, too.
Tilda Swinton’s first signature opens with more sugar than I expected–candied orange peel, neroli and honey and pumpkin spice. The immortelle (my mum called it “everlasting”) brings an enjoyable sweet yellow curry and wildflower note–but then I got a hay-fever reaction and had to scrub between sneezes.
Pair with a pretty autumn scarf and antihistamines.
This one also came out in 2010, and sweeter than expected–
Revolver barrel shaped mini bottle with chrome cap and yellow eau.
This one might need sniffing on a warm body. From the magazine peelie all I get is dentist office–pink saccharine fluoride rinse and lemon antiseptic spray–in a Little Shop of Horrors way. (And maybe it’s a sexier symbol in France, but the bottle is a turn off in these gun-crazy times in the US…)
Edit – 7/23/20
It’s better on the peelie.
A French song with some sweet swagger. I like it better.
The initial animal musk and asphalt is pure stray-in-heat, but soon gives way to some great cardamom. The balsamic vanilla is nice and chocolatey–and then it slides away quick, into the shadows.
I like it–I get the flirty alley cat vibe–but I want more claws, more of the yowl and sass that Zoologist would give.
Mooncat’s Strictly Roots is some spicy electro-reggae.
A twist of green sappy resin, then the cinnamon hits soft and heavy, and spreads with amber over dried apples and warm mulled cider. Fades in half an hour to sandalwood and shadows of roses on benzoin skin.
Brief, but gorgeous.
I recently discovered the Turkish group Taksim Trio–a bit new age, a bit traditional.
Hüzün means sadness, google translate tells me.
Bond No. 9 sample sprays and bottle shaped cut out tester with red cherry blossom design, and a fortune cookie. [The best way to make a friend is to be one.]
Peach blossom candy and fortune cookies, creamy tuberose sharpened with cardamom, and a bite of sandalwood on the bottom.
There’s a voluptuous mystique to it, gorgeous but with an edge, the sweetheart next door with a femme fatale secret.
Elusive on skin and lasting on silk. I love it.
I loved Chinatown, too, all the crazy smells and the languages and the colors, the shops with fish and spices and trinkets. The restaurant with the sweetest old man who taught me to eat with chopsticks when I still needed to sit on a phone book to reach the table–
I had to have the big bottle. Iconic, star shaped, that might be a woman in a hat–a red reverse of the other side. (With a white paper parasol and take-out box in the background.)
Deee-Lite is also from New York. This song always makes me happy.
Cardamom bombs the opening, the same throat closing assault when entering any truck stop store outside Paris, Appalachia–menthol cigarette ash and candy bars–but then it slowly melts into the skin with tobacco and vanilla a la Tom Ford.
Not many people realize Tom Waits actually wrote this one–also harsh and mellow.
Bottle of Dear John on piano keys, with reflections.
I tested this one in the store, and loved the cloves–it faded to spiced coffee on the skin after a few hours, but I huffed my wrist all evening–and the next day I went back for a bottle. Maybe the weather had changed, but the woodsy notes wound up being more than I bargained for, too green, too feral-tree-sprite than the Turkish cafe I thought I was getting.
I gave it my brother, who can pull off forest faun with just a smirk. It suits him.
I bought this at the LUSH store in Stockholm. Theses guys come from there, too.