Ashore

Amouage sample spray, and package featuring a watery sunset.

Nice at first–
Starts with spiced whipped cream-y jasmine in personal space that slowly drifts to a hand-span off the wrist as the cardamom ripens–then it takes an odd turn as curried raw salmon for a few hours.
The rose sticks to clothes more than skin, with sweet resins that last most of the day.

I’d enjoy it more without the fish course.

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This song has absolutely nothing to do with the ocean and has no sushi.

Seahorse

Zoologist sample spray with turquoise eau, and promo card featuring a seahorse in a kelp toga, looking a bit perturbed at my spice jar with a seahorse skeleton and some tiny shells I found on Sanibel Island.

Zoologist’s newest is a surreal snorkeling jaunt that begins at the bottom of the reef with the weirdest lunch of buttered seaweed on rye toast, goes on to examine some herbal indolic anemones, then drifts ashore on pleasant low tide algae funk.

Seems a little gimmicky–a fun excursion, but I don’t want to smell like it.
Lasts minutes on skin, but like sand, is impossible to get out of clothes.

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This equally odd Sea Horse takes a trip through folk blues, new age, and Jim Morrison.

Christmas Wine

Sample vial and test paper apothecary bottle cut-out, and vintage star shaped ornament.

Big spiced plum mulled in cloves all day long, with an undercurrent of sharp needle fir.
Tart fruit bites in as it warms, sweetened with candied orange peel, fun and inviting.
Performance drifts in and out on skin, but anchors really well on winter knits.

Way too much holiday spirit for me to wear, but I’d love my house to have this much cheer.
I’ll scent my solstice votives with the sample.

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More cheer.

Qaa’ed

Gold diamond stamped sleeved bottle and matte black canister.

Lattafa Perfumes (out of the United Arab Emirates) can be found fairly easily online or in the beauty section of import shops at great prices–Qaa’ed cost me less than a tub of pistachio halva.
And while the eau doesn’t exactly smell rich, there’s some good spiced leather packed in the glitzy bottle.

Opens with a big dose of amber cinnamon sweetened with vanilla, then five minutes in cardamom carries in the leather–new work boots with rubber soles and saffron suede car coats lined with polyester–a bit synthetic, but made to last.
And the woods on the bottom do last, even through a hot bath, spicy oud and buckskin still sweet the next day.

Could be an affordable alternative to Bvlgari Black, especially in autumn–the cool florals replaced with warmth.

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Love this collaboration from these two Dubai based musicians.

Quercia

Yellow Acqua di Parma discovery set box, with black capped sample spray, and turning oak leaves.

Autumn, and sweet.
Begins with a mid-day bluster of lemony oak woods, then grabs a mug of chilled root beer and settles in for a fire-lit evening, while the winds blow outside.
Shifts from cheerful warm spice to melancholy cool herbs and back again with the weather.
I like it very much.

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I’m a month late on this, but ’tis the season.

Zahira

Topaz yellow tipped ebony vial–representing a jeweler’s dop stick for polishing gems, a nice bit of Bvlgari branding–in a tall shot glass because it also looks a lot like a bartender’s swizzle stick.

A queen bee perfume, and heaven help the poor drones.

First flight is spice and sweetness, then she melts into syrupy amber–soft at social distance, but full of invitation into personal space where the cinnamon is buzzy and warm.

An hour in the ylang-ylang softens, and fruit notes begin to slide in and out of the benzoin, wildflower honey with alluring facets of lemon and apple and apricot for the rest of the day.

Zahira is perfect for autumn, with spicy warmth that’s too delicate for the summer sun. A bit expensive, but a lovely indulgence when one needs some royal treatment.

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Another beckoning Jem.

8e Jour

Amber frosted mini bottle with cobalt stopper on ecru upholstery.

“Eighth Day” seems rather dated at first–big myrrh out of the bottle with apple cider spices, and some sandalwood and rose–like she’s stuck in a1990’s soundtrack.
But as it settles to the skin, the mix-tape gets sweet with honey, and there are some good tunes in there, ylang-ylang with some long lasting vanilla that is too good to go out of style.

Nice for autumn, and an easy one to find, if you’re into retro vintages and cinnamon.
My mini seems to have aged well–no “off” notes and the juice juice is still clear–possibly because the stopper is ridiculously tight. The cap went flying when I finally got it out, and I splashed quite a bit on my couch.
So I can confirm that this does, in fact, linger for eight days.

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8e Jour came out in 1993, along with this classic.

Epic Woman

Gray marbled Amouage card with sample spray. The actual bottle is bright India green with gold accents.

Big sweet spice and roses, soured up nicely with lemony geranium tea. There’s some creamy orris powder underneath, with frankincense and vanilla to turn it luxe, but the woods on the bottom keep it grounded, so it doesn’t turn into a cinnamon roll.

Elegant and gorgeous, but also weighty–Epic kind of makes me nervous, like I’d be expected to dance the tango at a moment’s notice, or that dressing in anything but silk brocade would be a disappointment, while wearing this.
(Maybe I’d prefer the cinnamon roll?)

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An easy take on Neil Young’s epic song–

Honour

Whiskery cat nose sniffing the gold dome of a white mini Amouage bottle, and some magenta button carnations.

Pleasant white flowers at first, not a lot of personality, but sweet–then after a few minutes the tuberose and the carnation pick up the spicy notes and turn more interesting.
There’s a delicate watery feel under the florals–more morning garden dew than rainy lotus pond–that might come from the lily-of-the-valley and rhubarb; green, a little earthy.
Some resinous stuff on the bottom gives texture and holds the gardenia in personal space the whole day long.

I get a maternal vibe, in a young expectant mother way–pretty, but not for me.

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This Honor isn’t watery at all.

Zanzibar

Clear rectangular bottle with offset red square cap, and cardamom pods and cloves.

Opens with green herbs that get spicy as they warm up, teasing cloves and cardamom in a mild weather linen suit way, with sandalwood and soft sweet musk at the base.
Stays in personal space with breezy trails for an hour, then disappears to elusive spice on the skin.

Subtle, elegant and warm. (The guy finds the opening a bit too masculine on me, but likes the drydown.)

Van Cleef & Arpels discontinued Zanzibar, perhaps due to the fleeting performance. Vintages can be found pretty easily, with mini bottles pretty cheap, and full sizes in the hundreds.

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An Australian band that’s been around for forty years, and still touring. This is an early one.