Eau des Merveilles Bleue

hermes marvelousLots of wet citrus in the beginning, loud and bright and cheerful.
Orange–the fresh first pull of peel–slowly settles down to bergamot tea, poured over ice.

An hour later there’s some woods with a hit of salt, like driftwood in the sun. Patchouli comes in at the bottom, a bit of smoke over water on the skin, and lingers for the afternoon.

This one is young at heart, but she’s got grace.


Hermès used a snippet of this audio art in the ad–but the whole thing deserves a listen.

Fire Island

Fire Island 2Neroli, waves and sunshine.

I spent a few summers on Fire Island when I was little, the volleyball net at the Pines marking the nude beach–suits vs. skins games all day except high tide–and I’d come home with a pail full of seashells, a permanent sunburn and sand everywhere.

This scent has that freedom, wind and ocean spray and surf and naked skin, with a lovely base of top shelf zinc tanning lotion.

Projects two beach blankets over, and lasts til the sun goes down and the disco starts.


“Somewhere there is a gay man with a magic lamp and two wishes left.” -Jerrod C.

Simone

simone edgy Crisp watermelon on top and even more delicious in the middle–buttery sweet soft floral–but on me, this quickly fades down to a muted version of Light Blue.

Nice, but needs more of the frangipani.

(Bit of trivia: The almond custard “frangipane” was named for the Marquis de Frangipani, whose family line went back to Roman times.)


And I just discovered that Halsey’s real name is Ashley Frangipane, which made me laugh.

Squid

squid zooIt’s blue! And weird and wet and marvelous.

Marine water and smoke out of the vial that darkens down to black fountain pen ink, dirtying up sea foam.
Algae blooms, delicate green, strangely organic and chemical at the same time, with big juicy sillage.
The ambergris rises to the surface an hour later, making it even wetter with ocean spray; benzoin sweetens it, turning it fresh again.

Six hours later and it’s still there, chaotic, never seeming to settle down to one depth; yet it’s oddly comforting and beautiful.


Gov’t Mule does a terrific jam cover of Jimi Hendrix’s 1983 (A Merman I Shall Be)–from Electric Ladyland–that goes deep under water around the 4:15 mark.