In the summer Cabotine is an overwhelming mess of spicy flowers; in cold weather it becomes cassis tea with honey.
Heavy carnation, gingery white florals and huge green hyacinth are eye-watering in the heat, with a whopping dose of black currant on the top and bottom giving a bite of acidic fruit in the beginning and an angry cat scratch at the end.
But in the winter, everything blends into sweetness, berries and nectar and soft musk, cheerful and petal soft–and worn under clothes, the sillage relaxes to an enjoyable comforting layer. Lasts til morning on skin, and til spring on fabric.
Cabotine came out in 1990. So did Sinéad O’Connor’s iconic cover of Prince’s “Nothing Compares 2 U.”
(I love TJMaxx flanker gift sets!) This is the most refined of the Be Delicious line that I’ve sniffed so far.
A slice of fresh apple, soft flowers and a bit of plum sauce, that quickly go green with lily-of-the-valley for an hour–the usual DKNY floral fruit teacher’s fare. Later when the woods give the base some backbone, it gets sophisticated–turns out the substitute has a master’s degree in postmodern design.
Lasts through afternoon study hall in personal space.
Opens with a breath of citrus and wet green, but then gets cool and clear the way that all the Omnias do, this time with powdery iris that blooms for a hour, and heliotrope at the bottom that lasts all morning.
Some faint woods close to the skin give it a pretty solidity, like a crystal vase with a heavy base.
There’s an interesting fragile-but-strong vibe to it.
Arielle smells like peaches in the hot sun, when the fruit stands are full and ripe and steamy and the day lilies are blooming in full force. Amber and sandalwood dry up the sweetness after an hour, making it almost civet-sour-soapy, that Atlanta highway air freshener and funky sweat that sticks to skin and clothes, until it slowly eases back to evening breeze and sweet peach tea.
This stuff is amazing. Wildflowers and weed, haute stoner florals in a dope high fashion editorial. Feminine sticky-icky amber close to the skin, underneath a haze of roses sweetened by mint. Lasts all day, but you’ll want another hit at 4:20, because she’s so fun to roll with.
Sweet yet somehow dusty–pleasant for dry autumn days, and Jane Austen novels.
A wake-up splash of sweet whiskey mash with some soft fruit, then calms down to an easy earthy floral a few inches above the skin for half an hour.
Slowly fades to sheer musk with a hint of ripening grain.
Comparing it to the source (I cook with barley in the winter, so I had some on hand) was fun–I could definitely find the powdery sweetness of the kernels.
Safe citrus and berry splash with flowers–nice dry woodsy peony, in a clean and non-alluring way–but it’s loud. Big invasive sillage that takes over the clothes, like when you switch fabric softeners and can’t get used to the new smell, but even longer lasting.
This one feels like an afterthought, as if it were put out for bottle collectors.
Neon Hitch is also loud and kind of invasive, but is absolutely alluring and by no means an afterthought.