This makes me feel like I’ve walked out of the most expensive shoe store in Paris.
A quick opening of aldehydes and spicy fruit, as if to anchor the time period–and a few of the usual flowers to sayI am French!—then the leather kicks in with patent pointy toe boots and kid gloves, leaving prints behind for days.
It’s down to earth–this footwear has solid heels–with oakmoss and pungent geranium and a pinch of tobacco.
I’d wear it if it had a touch more sweetness.
Opening notes are a shot of booze spilled on a leather coat and violets and laaa, this stuff is crazy nice.
So smooth it slides all over the place, petals and pepper, dank then sweet, light then hard, feral metal musk heat-tempered in rosewater.
Modern magic, at an accessible price.
Lingers in personal space the whole day, sugar and leather on the skin, and fog and rain on the clothes.
This could be this generation’s Lolita Lempicka, a new twist on violets, and powerfully femme.
Seinabo Sey’s Pistols at Dawn also came out in 2015, and is just as dark and smooth.
Unusual and interesting.
Opens with a blast of fruity-booze-pepper-smoke, then settles into a really nice herbal–almost medicinal–leathery rose.
The usual feminine notes are switched up, jasmine given muscles and a short-back-and-sides haircut, sweet amber sheared sharp, carnations with teeth.
I’d huff it on a guy in a big way, but I’ll wear it too, with chunky shoes and a rough sweater, in the fall.
This alternative hit (also from 1989) mixes funk and sweetness with an easy groove.
The Cloud Collection perfumes are lava lamp groovy, with separate liquids rolling around in the bottle. One is advised to shake it for four seconds (shaking a lava lamp is not suggested, though the result is the same) until it turns cloudy, before spraying.
Spicy-tart sea buckthorn at the opening, and leather, then thirty minutes later the berries turn sweet and creamy, with a smooth oud-y base.
The fruit lasts on the skin for three hours–about the time it takes for the perfume salad dressing to separate again–but the sweet woods project much longer and louder, and linger on clothes all day.
The scent lives up to the novelty of the liquid. The seaberry (which I love in tea and candy) is unusual, a berry version of the lemon custard in Aqua Allegoria Teazzarro; and the base is rich as any Fort & Manlé, with twice the longevity.
I’ll wear this one a lot this fall.
Farveblind is is also weird and fun and Danish (like Zarkoperfume).
So Lolita Lempicka ran off and joined a coven, and came back organic and amazing.
Sugary licorice and lemonade top notes that last for hours, resin and burnt caramel all night long.
Bonfire dancing, bohemian patchouli flirting and aniseed incantations at midnight. Wakes in the morning still smelling of fairy sin on the skin.
Brash, pansexual and gorgeous.
The solid is tamed down–the gateway drug version–more secretive, the sweetness hiding in leather. I love it no less.