Saffron & Iris

4711 saffron and irisAnother enjoyable and unpretentious 4711 Acqua Colonia that lasts only minutes–as it’s meant to.

A vodka splash opening that immediately warms up with the saffron, then eases into a flowery-herbal tonic water.
There’s earthy powdery feel at the bottom that I would enjoy on a guy, too.


I went looking for the “I’m just mad about Saffron” song by Donovan, and stumbled onto this little gem.

Mon Eau

mon EauThis one bridges the gap between Lolita Lempicka L’Eau en Blanc and the original first scent, but somehow loses the vibrancy of both parents.

Pretty mixed-up berries in the beginning that eventually decide they’re black currants, then aniseed hits with the usual LL violet-iris notes before it settles in close with pleasant white musk and sandalwood powder.

A good bridesmaid perfume.


This is a lovely “first dance” wedding song–

Cherry Blossom

Cherry BlossomIt’s pretty, in a girl’s First Perfume kind of way–
Opens with spring floral orchard blooms, then fades to a powdery, almost childish cherry. Lasts the length of a junior high date, with cinema seat projection.

There’s nothing really special about it–Outremer’s Cola has that marvelous splashy pop, and Pêche is pure sass and juice–so I was expecting  a kick of something more.


Here’s a song with a lot of kick–

Almond Cookie

almond cookie edgesA blast of sweet powder out of the bottle, with a bit of white flower–what I imagine vanilla orchids smell like.
Then marzipan–the strong stuff that reminds you of cherry stones and the secret hole-in-the-wall bakery with the amazing almond danishes.
It morphs back to powder an hour later, with huge sillage that lasts forever.


The Cookies backed up Little Eva and Ray Charles, but had several hits of their own, including this one.

Deci Dela

deci delaThe adorable bottle opens with that ambrosia fruit salad made with orange jello and canned peaches and marshmallows that your gran always made for parties, then turns into handfuls of powdery Smarties for a few hours.

Lasts longer on clothes than skin, a deeper dry down of vanilla sweet resin, infused with peach cordial.

Weird and flirty and so fun.
I love it.


This was a big hit in 1994, when Deci Dela came out. Also sweet and funky and fun.

 

Azzaro Couture

azzaro coutureWild flowers and rose, in a gorgeous high fashion editorial.

Sweet powdery mimosa at the opening, roses from top to bottom, and ending with a breath of organic green musk.
Lasts minutes on skin and hours on clothes. I really like it, but it might be too posh for me.


Azzaro Couture was first released in 1974, then re-launched in 2008 for a boutique show.
Here’s another sweet-and-lovely claimed by the next generation.

Sortilège

sortilegeHave you ever opened a box of old vintage sewing patterns at a rummage sale, and gotten transported back in time–before you were born, even–just from the smell?

Sortilège whispers vintage lily-of-the-valley out of the bottle, then powdery peachy aldehydes a la Chanel No. 5 trample the flowers to dust.
More try to bloom, some feeble jasmine, whimpering mimosa–the rose survives, bolstered by iris, but then they are bowled over by great gobs of amber with vetiver musk in the wake.

This makes me want a wasp-waisted dress with piping and a built-in crinoline, and wrist gloves with matching bows.


Le Galion released Sortilège in 1937, when Fred Astaire was hanging out at The Stork Club, famous for singing Gershwin. I prefer Lady Day’s cover.

 

Omnia

nutmegGinger and peppercorns that sweeten to ground spices, powdered cardamom and nutmeg, drier than dry toast, to the point that it makes me thirsty–almost itchy.

Half an hour in, the almonds warm up, and it gets creamier. A bit of floral musk makes it more palatable, and then the dry down is lovely, sandalwood with a hint of sweetness.

Stays politely in personal space for most of the day. Pair with a two liter drinking bottle.