This one is gorgeous: beeswax comb filled with vanilla and flower nectar and a bit of tonka that manages to come across as animalic, and so incredibly sweet you expect it to be sticky on the skin. The heliotrope–which I’ve not been a fan of lately–gives nice structure to the benzoin, and a lovely powder dryness to the honey-syrup.
There’s a brilliant smudge of labdanum on the bottom, a perfect hint of beekeeper’s smoke. Fills the room like a summer swarm and lasts forever.
I loved it passionately until the guy said it reminds him of that scented toilet paper from the ’70’s and now that’s all I smell and I’m so sad about it.
Opens with a breath of citrus and wet green, but then gets cool and clear the way that all the Omnias do, this time with powdery iris that blooms for a hour, and heliotrope at the bottom that lasts all morning.
Some faint woods close to the skin give it a pretty solidity, like a crystal vase with a heavy base.
There’s an interesting fragile-but-strong vibe to it.
This one bridges the gap between Lolita Lempicka L’Eau en Blanc and the original first scent, but somehow loses the vibrancy of both parents.
Pretty mixed-up berries in the beginning that eventually decide they’re black currants, then aniseed hits with the usual LL violet-iris notes before it settles in close with pleasant white musk and sandalwood powder.
It’s pretty, in a girl’s First Perfume kind of way–
Opens with spring floral orchard blooms, then fades to a powdery, almost childish cherry. Lasts the length of a junior high date, with cinema seat projection.
There’s nothing really special about it–Outremer’s Cola has that marvelous splashy pop, and Pêche is pure sass and juice–so I was expecting a kick of something more.
A blast of sweet powder out of the bottle, with a bit of white flower–what I imagine vanilla orchids smell like.
Then marzipan–the strong stuff that reminds you of cherry stones and the secret hole-in-the-wall bakery with the amazing almond danishes.
It morphs back to powder an hour later, with huge sillage that lasts forever.
The Cookies backed up Little Eva and Ray Charles, but had several hits of their own, including this one.
The adorable bottle opens with that ambrosia fruit salad made with orange jello and canned peaches and marshmallows that your gran always made for parties, then turns into handfuls of powdery Smarties for a few hours.
Lasts longer on clothes than skin, a deeper dry down of vanilla sweet resin, infused with peach cordial.
Weird and flirty and so fun.
I love it.
This was a big hit in 1994, when Deci Dela came out. Also sweet and funky and fun.
Wild flowers and rose, in a gorgeous high fashion editorial.
Sweet powdery mimosa at the opening, roses from top to bottom, and ending with a breath of organic green musk.
Lasts minutes on skin and hours on clothes. I really like it, but it might be too posh for me.
Azzaro Couture was first released in 1974, then re-launched in 2008 for a boutique show.
Here’s another sweet-and-lovely claimed by the next generation.