A golden oldie from 1962–and proof that ladies of a certain age can still hold their own–classy, fun and sexy.
(Elizabeth Taylor wore it!)
Opens with lovely roses and neroli, then gets almost fruity with the creamiest jasmine ever. After it warms up with sweet benzoin and balsam, civet slinks in with vanilla and stays within arms reach for days.
That same year saw the release of Joan Baez In Concert, with this song that caught the ears of Jimmy Page and Robert Plant.
TokyoMilk #31
Another well named scent from Margot Elena.
A crashing wave of flowers and seashells, but somehow sadly watery–
Then the coral blooms with terrific ylang-ylang flowers, for hours, and slowly settles on the bottom with sweet salt.
Good for mer-folk types and surfer sweethearts.
This one has a snorkeling kind of ambiance-
Marquis de Sade–Attack the Sun.
On first blind sniff, I get an earthy animalic lemon with some smoky cedar resin. It’s marvelous, almost like wet oil paints–complex and changing with a hint of sweetness. Even my cat got nosy.
So I looked up the description, and discovered it’s pure labdanum. Rock-rose, and that’s all. The designer apparently doesn’t like it, so he made a solifleur in an attempt at immersion therapy.
Labdanum is at the heart of two of my favorites by LUSH, Tank Battle and Rentless, grounding the clove and the aniseed. On its own, it becomes airier, balsamic and musky, and decadent.
Projects at arms length for an hour, and on the skin for three more.
“How many times, good God, have I not wished it were possible to attack the sun, to deprive the universe of it, or to use it to set the world ablaze –” Donatien Alphonse François de Sade, The 120 Days of Sodom
Another riff on the decadent Marquis:
Opens loud with bright green basil and sweet coriander spice–then slides into flowery honey tobacco with some good patchouli funk.
A few hours later it morphs into leather with smoke and soft civet musk, and stays there for the rest of the day and evening, filling the room.
Joint is a powerhouse, but a refined blend rather than blunt force. No true cannabis/hemp notes, but there’s a dank ganja accord that’s really nice.
Anthony Mills is a renaissance man who’s toured with Harry Belafonte, painted murals at Fasching and raps around Stockholm with a distinctive ghetto-trance country style. He’s got a buried treasure trove of tracks on youtube–this is one of my favorites.
Opens with lemony ylang-ylang, then settles to aldehydic woods and tuberose with some animalic dank notes that keep it from being too sweet.
Strong sillage, and long lasting, but it does seem from another time, when perfume focused on gravitas and established style. Now the trends seem to aim for playfulness and creativity.
This might have more personality on a gentleman, today.
Ysatis came out in 1984, and I discovered short-haired girls.
Big green leaves at first spray, then waxy flowers and roses in a huge stainless steel vase.
Eventually settles into a watery flood of black currant tea and wet dog–a fancy one with manicured paws and a pompadour.
Both swanky and skanky. Not for me, but it’s got a certain likeable strut.
Kathi MacDonald was an unsung rock and roll heroine–she recorded with The Rolling Stones, Ike & Tina Turner, Joe Cocker, Big Brother and the Holding Company, and many more.
She had lots of strut.
So Nivol de Limona means “lemon cloud.” I don’t get fluffy, but it does change shape as it quickly passes by.
Starts with a squirt of Dawn dish detergent, takes an enjoyable but brief snack of milk and lemon Girl Scout sandwich cookies, then disappears with a wave of sugar scented hand lotion.
Here’s a sweet cloud by Tori that lasts longer.
