Insolence

Small frosted Guerlain bee bottle with purple label and pink eau, with strawberries.

Scintillating strawberry baby powder.
Brilliant, with a delicate dissonance that shifts between sparkling floral dust and sweet berry syrup, for hours and hours.
Chaotic, with the lure of a candy shaped bar of soap, and easily worn by anyone from age 9 to 90–

–unless if you happened to be in elementary school in 1980.
Because this smells exactly like Strawberry Shortcake doll hair.

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Here’s another dissonant Insolence that works well:

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Brune Melancolia

Black and white solid perfume canister, with orange and yellow rose.

Sad rose yogurt.

The citrus opens too tart–soured by the sandalwood, maybe–but then berries and a bit of spice get stirred in, sweetened with floral syrup.
The moody violet/cassis finish on the skin is nice, after the first disappointing hour–the start seems like something you’d taste in the dairy aisle at the happy-hippy food co-op, rather than a fragrance.

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The most melancholy song ever–

Maya

Tocca pumpkin shaped mini bottle with bronze lid and a few sprigs of pinkweed from my lawn, on notebook paper.

Opens with a nice splash of black currant liqueur, then grows some vague purple flowers that I thought might be wisteria, but the ad copy says is iris.
There’s a drop of rose and jasmine underneath, but after a few minutes, it all fades to patchouli woods on the skin.

Doesn’t last long–maybe an hour–but makes a reasonable berry refresher, without being too tooty-frooty.

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Mýa is so cool.

Seaberry & Rose Clay

White capped roller stick, clear with red detail and a whale logo.

I’m so disappointed.
Sea-buckthorn, sanddorn (Swedish), argousier (French), or seaberry, is a creamy lemony pungent berry, close to a cranberry in texture and tartness.

The Old Whaling Co.’s version–a kid’s Body Shop strawberry and raspberry jam mashed with chalk and rose–was named by someone who has never touched, seen, eaten, or smelled a real seaberry.

Their Mariner’s Moon candle sounds nice.

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Shanty-Tok was a wave of communal Covid-19 art, when musicians discovered the looping possibilities of the TikTok social media app, and combined it with sea shanty folk songs.
The Wellerman was the best, started by Nathan Evans.