TokyoMilk No. 85 lists Crushed Ginger, Thai Pepper, Frankincense and Vanilla Orchid on the box, but it opens with Cinnamon Toast Crunch. The pepper kicks in immediately and makes the ginger, cardamom and clove mix a bit antiseptic, in a comforting way–like Band-aid adhesive–then it all soaks into the skin, leaving a smear of vanilla frosting and a dusting of head-shop olibanum. Within two hours, it disappears, gone completely numb.
I really like it. There’s a laid-back medicinal feel to it, with good self-care cuddles. Good for the guy who’s still too young or shy to pull off Old Spice.
From the newest set, TokyoMilk 80 touts Sweet Grass, Clary Sage, Verdant Florals, Citron on the label, and the clary–a lavender-limey herbal–is nicely prominent, I’m happy to say.
Opens bright, cologne-ish–green lemonade on lawn chairs in the hot sun–that settles to the skin within an hour. Turns a little sweaty in a pleasant bitter citrus pithy way for another hour or two. Fresh, soft, and unisex. I’d enjoy it as bath salts, too.
Garbage covers U2 with a dreamy urgency that’s just lovely–(the whole album is great.)
So the COVID anosmia thing seems to be ebbing, but it has a tide. I’ve felt better and better these past weeks, but then this weekend I felt kinda lousy, and my tea tasted like it was made from a twice-soaked bag and sizzling bacon smelled like a distant campfire. But today I woke up feeling great, and had a very fragrant Darjeeling and a tasty biscuit, so I reached for an old favorite that I know well–
Tokyomilk 61 Petit Parfum Solide–Sugar Plum–came out at least fifteen years ago, an early one from Margot Elena offering peach, candied mango, white tea, persimmon and “deep cassis.”
–and all that comes through. Creamy sweet summer fruit, cool wet mango and cheeky black currants, just like I remember, and I don’t have to shove it up my nostrils to find them. Interestingly, the guy doesn’t smell the sugary fruity notes, he only gets the ammonia end of the cassis. He’s been laying on the hot sauce pretty hard too–so we’re guessing he’s maybe two weeks behind me in the C-19 recovery. (Or maybe he’s sailing on a lower tide.)
TokyoMilk No. 62 lists Dark Vanilla Bean, Orchid, White Tea and Sandalwood
Sour fruity vanilla, with very little projection, until pleasant smoke drifts in after a few minutes. Artificial flowers slowly creep up, weird sentient flocked velvet things with plastic stamens, a cute graveyard horror two hour movie anecdote, then the vanilla comes back, warm and powdery, bolstered by bottom woods to linger on the skin another hour more.
TokyoMilk No. 4 lists “Crisp Apples, Peaches, Violets, Roses” on the bottle, which adds up oddly to fruity jelly slices, but the cheap kind, that taste a bit plasticky under the sugar.
Then we go to the spa, where powdery cosmetic florals puff up and take over, soapy enough to strip away the gourmand sweetness, floating within social distance all day, like a hair product from getting done at the salon, that you can’t escape.
Weird and a little headache inducing.
The TokyoMilk Lost in Atlantis soap line has the same note profile, and it’s amazing. The plastic note becomes creamy, and the powder turns to sweet lather. Reasonably priced on the Margot Elena website, too.
The perfume was actually named after this song. Here’s a weird version, but with less headache.
TokyoMilk #57 lists Hyacinth, Iris, Citrus Zest and Crisp Greens on the bottle, and there’s no false advertising there, aside from the “blue.”
This is a green scent, and cheerful.
A splash of green leaves, almost bamboo sweet, with a tiny hit of bergamot rind, and hyacinth–which comes across rather lilac–and a faint smear of petroleum jelly. Lasts an hour with six-foot sillage, then fades to the skin with a light summery-lawn musk.
Good for socially distant outdoor concerts.
A pretty summer song. Not the best recording, but I like it.
Margot Elena lists notes of mineral salts, fresh water, turned earth, and white woods–which adds up somehow to sweet seaweed.
Opens with an aquatic fruity green note that stays wet for an hour before sinking into the skin with a faint wave of salty driftwood. The solid is sheer, without much projection, but this is one I wouldn’t want to douse myself with–I think it could easily turn brackish and swampy.
Simple, amiable and unisex. Good for reminiscing about seaside vacations, but collectors’ prices seem high for those memories.
Destiny is that marvelous obnoxious friend who’s a blast to hang with, but would wear you out if it were an everyday thing.
Rolls on in with sugary ginger and wild berries, in a heavy-handed but good way, then develops some nice nasty indolic tendencies. A pleasant bitter-sweetness that might be the davana paired with honeysuckle interrupts for a few hours at arm’s length, then slowly settles down to creamy cuddly jasmine for the rest of the day.
Lots of fun, but for occasional use only. (Can be hard to find. Snag a bottle if you see it at a price you can afford–I’ve see them as low as $12 used and $60 new.)
Fierce out of the bottle, smoked black tea with two sugars and burning cedar shavings, loud in personal space, soft outside. Lasts three hours before sliding into nutty vanilla and dark woods on the skin for three more.
Aggressive but interesting, with enough sweetness to be inviting. Recommended for corporate mercenaries and apocalypse vigilantes.
DAG: Angharad used to call them anti-seed. CHEEDO: Plant one and watch something die. ~ Mad Max: Fury Road