
A splash of limeade and orange zest, a rub of basil and flower petals, a breath of cedar, and then it’s gone.
The brevity is a strength–4711 glories in its opening moment, the interaction of refreshment, the awakening.
Many of us grew up with this one in the medicine chest rather than the vanity, used to disinfect cuts and soothe burns. It’s still one of my favorite comfort scents.
Haydn’s Surprise Symphony (No. 94) came out in in 1792 too.

Tea rose with dark chocolate underneath for hours and hours.
Tilda Swinton’s first signature opens with more sugar than I expected–candied orange peel, neroli and honey and pumpkin spice. The immortelle (my mum called it “everlasting”) brings an enjoyable sweet yellow curry and wildflower note–but then I got a hay-fever reaction and had to scrub between sneezes.


Rather nice.
(I’m falling in love with these solid perfumes. Airplane friendly and moisturizing!)
Alcohol and asphalt, perhaps.