Savage Belle

TokyoMilk bottle and cylindrical canister, featuring a yellow striped black kingsnake, and nightshade, foxglove and amaryllis (all poisonous flowers.)

TokyoMilk No. 68 lists Warm Ginger, Bergamot, Charcoal Accord and Wisteria on this new one, but I don’t get much of that.

There’s a splash of sugar-free Canada Dry at the beginning, and a hint of guttering candle in the middle–but it’s gone in thirty minutes. A wisp of purplish citrus clings to cuffs for another hour.

The packaging is gorgeous, though.

*

This song is a bit more savage.

Chipmunk

Zoologist promo sample with adorable rodent in acorn cap beret and scouts uniform, and some dark brown pin oak acorns.

This is nuts.

Opens with a squirt of alcoholic citrus that is overtaken by green cardamom, then turns creamy. (The chamomile and benzoin, maybe? It’s quite nice.)
Acorns and leaves slowly fall to the skin, sharp oak but earthy, sweetened with hazelnuts and herbs.
At the very bottom is more woods and some gorgeous balsamic resins, but they’re cooled with patchouli, a hint of winter coming.

Brilliant for autumn.
I’d enjoy it more as an ice cream or a tea, rather than wearing it–I’d be constantly worried that I’d managed to overturn someone’s fall spice latte on my clothes–but Chipmunk would be perfect for anyone looking for a heartier nutty gourmand than the usual marzipans.

*

Best Chipmunk remix ever.

Arancia di Capri

Sample card and promo spray in Acqua di Parma’s signature navy blue. The company crest is a crowned shield with a rampant lion, some griffins and maybe a tree trunk on an ermine field, all wreathed in jingle bells.

Opens with juicy tart mandarin slices, and some petitgrain and a hint of cardamom–that all comes together like a nice splash of summer tea, in intimate space.
Melts down over an hour, to the faintest smudge of orange flavored caramel on the skin.

The quality of ingredients is quite nice. I’d be impressed with the performance if Arancia di Capri were an eau de cologne, but for a shy eau de toilette it’s a bit costly.
Guerlain’s Teazzurra is a bolder, sweeter tea, and 4711’s Myrrh & Kumquat has a sharper, more interesting citrus. Both are longer lasting at better prices.

*

Found this one the other day.


Novacaine

Opaque black bottle with silver cap, box and slate blue inner liner with Rocky Horror lips, and toothpaste, toothbrush and floss.

TokyoMilk No. 85 lists Crushed Ginger, Thai Pepper, Frankincense and Vanilla Orchid on the box, but it opens with Cinnamon Toast Crunch.
The pepper kicks in immediately and makes the ginger, cardamom and clove mix a bit antiseptic, in a comforting way–like Band-aid adhesive–then it all soaks into the skin, leaving a smear of vanilla frosting and a dusting of head-shop olibanum.
Within two hours, it disappears, gone completely numb.

I really like it. There’s a laid-back medicinal feel to it, with good self-care cuddles.
Good for the guy who’s still too young or shy to pull off Old Spice.

*

My favorite laid-back jam band version–

500 Years

Etat Libre d’Orange sample spray and white box with gold medallion, and hourglass with pink sand.

I only get about 500 minutes, not years, but they’re pleasantly spicy, and dry.

Earl Gray tea roses with cardamom à la Amouage that start loud and boisterous, then settle into cocoa powder with a peppery edge. Oud-ish sawdust on the bottom gives some structure, and there’s a bit of nice leather boot swagger, too.

Leans to the earthy ground saffron edge of unisex.
Pricey, but the projection is good for those eight and a third hours.

*

This take on the Proclaimers’ hit turns it into a brooding duet, with no less urgency.

Gold Lily

Yellow daylily and mini gold ball capped Shangai Tang bottle with with ivory symbol for longevity.

Sheer lily, sweet floral with an undercurrent of earthy spice, held in place with light patchouli and some pale musk. At a distance the flowers are lovely, but an up-close sniff turns it into car air freshener for a while.
I like the coriander and clove drydown on the skin, after the synthetics fade.

The company has moved their fragrance production toward room scents and candles–I think that’s a good direction for them.

*

I went down the Google-hole looking for current pop music in Shanghai right now, and fell hard for the modern-hits-traditional vibe of this one. (Google translates the title as “I walked through the lonely long river in Mobei and the sun sets,” but Encore lists it as Xiao – “Rivers and Lakes.”)

Twilly d’Hermès Eau Ginger

Mini cube shaped bottle with white hat cap, and lumps of candied ginger.

The opening is wonderful–sweet crystalized ginger with a sharp bite–but then the tuberose wilts, and the peony turns antiseptic, drawing attention to unfortunate cedar leakage on the bottom, and I get uncomfortable nursing home neglect vibes.

I wanted to love this one–the original Twilly is enchanting for any age, young at heart and soul–but Eau Ginger has too little of that timeless magic, and makes me a bit anxious.

*

I went looking for the Natalie Merchant and REM cover of John Prine’s Hello in There, but then remembered how much I like this one.

Bad Boy

Promo card with a black and gold lightning bolt shaped bottle, and a sample spray.

This “bad boy” just earned a week of detention when he got caught with a blunt at his all-boys private school, along with Axe Dark Temptation and Invictus Victory. He’s got good taste in chocolate, and misses his mom.

*

(It’s a shame that The Inner Circle’s Bad Boys is indelibly linked to the show Cops, because it’s a good song.) Here’s a Scandi EDM duo

Lolita Lempicka

Lavender Lolita Lempicka apple bottle pressed with white and gold ivy, and gold stem cap from 1997. The new bottles are plain faceted glass, but supposedly the fragrance hasn’t been reformulated.
And a mess of star anise pods.

I grabbed this one this morning, a test to see how much I’ve recovered–and I definitely pass!
Maybe not with the highest marks–I had to douse myself in it to get everything I know is there–but my schnozz is working, and sniffing this one is like hugging an old friend.

The top notes all come through, a gorgeous thirty-minute-long opening: sweet anise and violet powder blast, with a bit of cool green ivy to keep it wild and fey.
Then the middle blooms, a foot off the skin for three hours: licorice candy, dessert cherries in almond amaretto, dusted with iris flour so everything stays light.
Settles soft, to clothes and hair until the wash: vanilla ice cream, the almond end of tonka, and sugar musk, a brush of vetiver to keep it dry.

Delicious, iconic.
The lighthearted gourmand that exchanged Angel‘s chocolate edible underwear for lace fairy wings, and made fantasy haute couture affordable.
I wore it for a decade.

A dish full of black twists and pink and white Good & Plenty. Licorice was the first thing I could taste, after Covid-19.

*

The album Surfacing came out the same year–

Acqua di Tuberosa

Two 50-year-old micro bottles. The one on the right–honey amber eau, with a pristine white bow–came from a sealed set. The opened one (I have no idea when)–with a stained yellow bow and deeper oxidized liquor–is richer, with spicier base notes.

This little beauty shows off the lighthearted facets of tuberose–sweet milky florals, the giggly sweet aromatics of bubblegum, the sugary mint of wintergreen, buttercream icing–without going into the skanky indolic camphorous aspects. (More on Amouage’s Love Tuberose end of the spectrum than Moon Bloom.)
A bit of sandalwood on the bottom anchors it, and there might be a bit clove, too–I get nice hints of Tabu there.

I can definitely smell it–though I still have to shove my nostrils up into stuff to get a good full whiff. So I’m guessing all my receptors are still firing, they’re just weak.
My first Covid symptoms hit four weeks ago. The folks I’ve talked to, that have weathered it through, have said they finally got their taste and smell fully back after two months.
Mine seems to be coming back faster than that–most likely due to the vaccine, rather than me huffing everything that crosses my path.

Vintage Borsari mini bottle, the label featuring a woman draped in flowers in a draw-me-like-one-of-your-French-girls pose, on a chrysanthemum flower to make my photo fancy.

*

An uplifting song with some spice on the bottom. It’s so nice to feel better.