Candied strawberries and caramel apples, framed by galleria escalator glass and chrome.
Trendy and young, but with impeccable taste–the patchouli gives a tartness to the berries, a metallic edge that takes it out of Flowerbomb territory and puts it more in league with House of Sillage Chevaux d’Or.
Small splash bottle with gold cap and printed back label–visible through the perfume–of a bee.
A great one for sweet tooth cravings.
TokyoMilk #10 is a spilled pot of syrupy tea with cream, smoky jasmine and sugared violets. Sandalwood at the bottom gives the honey a nice bit of bee-sting.
Pretty and warm, with good sillage and amazing longevity.
Edit– 2/27/21 This one has grown on me lately. The quarantine mixed with winter doldrums has made me miss my childhood home and the scents of my step-father’s apiaries. Honey & the Moon is simpler, and less animalic Bee, but has more woods at the base. Beehive boxes are usually made of pine or cedar, for their non-bee insect repellent properties–Absolue Pour le Soir nails this note perfectly–so I like that bit of structure.
The candle is quite nice, too. Margot Elena’s hand creams are also popular. I’ve tried a few and they feel lovely, but I’m always testing something on my wrists, and I avoid scented lotions. She makes a Honey & the Moon “crema” creme eau de parfum as well, that I’m curious about–always nice to have something travel friendly.
Lit candle in a tin, with printed bee lid. A fifteen minute burn scents my whole house.
Santana and Michelle Branch came out with this sweet song in 2003, too.
Yellow bowed bottle with golden eau, and an art deco label of two ladies’ faces.
Orange blossom.
Starts out sugar sweet, the dust on marshmallows, then turns jasmine-like, with a touch of honey. Finishes fruity-juicy, more gourmand than neroli’s greener woody-spice edge.
It’s the floral note easily found in the opening of Coco Mademoiselle, and tastes delicious in Italian Cream Cakes.
This one was bottled for a mini collection for tourists from the Borsari 1970 Museum in Parma, in the seventies–the caps are hideous plastic, but they’re effective–it’s quite well preserved for being so old.
Or: Mr. Bojnokopff`s Purple Hat.
This is what nefarious charlatans who make devil’s deals for true magic (that always backfire and involve a twirled mustache) smell like.
Lavender and bittersweet chocolate on a cedarwood stage lit with vetiver gaslight, and lasts longer on silk than on skin.
I always fall head over heels for an elegant villain.
So the story behind this one is of an illusionist in 1897, Russia, the same year of Rachmaninoff’s disastrous debut of his first symphony. It opens with some serious mustache twisting.
Micro bottle with pale purple bow and forties graphic label.
Vintage Wisteria, by Borsari 1870.
The middle of a Venn diagram of all the purples–where violet and concord grape and lilac overlap into a unique creamy/fruity/floral, with a hint of clove to spice it up. A sharp leafy green at the bottom keeps it from going gourmand.
This is quite well done. They’ve bottled the charred oak distillery spirit, complete with caramel syrup and age-softened musk.
Doesn’t last terribly long, but it’s reasonably priced, so have another shot.
I would find this one sexy on a guy, too–especially the older silver fox with good vintage.
This laid-back Nirvana cover sounds like it’s had a good whiskey on the rocks.
Opens with cherry Kool-aid, then grows up and drinks kirsch. Roses bloom after a few minutes, blowsy hybrid teas with a pinch of spice. Projects long and loud, and lasts a day on the skin and through the evening on silk.
Cleaner and younger than Tom Ford’s Lost Cherry, and I bet it’s fantastic in the winter.
Lemon chiffon pie with caramel crumble topping, made in an Easy-Bake Oven.
It’s not bad, and lasts a surprising two hours.
The set of these would be the perfect gift from the glamorous rich auntie who has already given her nibling the entire Bratz collection that they begged for last year.
Love this sweet little indie acoustic Korean tune.
If dolls could fart marshmallows, they’d smell like this.
A loud pbthpbthpbth of sweet plastic esthers–almost an artificial banana–then greasy coconut oil that dries down to diaper powder and decomposing Barbies left in the sun.
Weirdly sticky (and very synthetic for a LUSH scent) and lasts forever.
Who’da thunk Aqua’s bizarre hit could be turned this haunting and pretty?!